RME offers a comprehensive range of audio interfaces, converters, mic preamps and network audio solutions. The company's German-based engineering is globally known to produce products that have the industry's lowest latency, fastest performance and unparalleled reliability. 

RME devices are used across a wide range of applications globally - recording studios, major broadcast facilities, scientific research establishments, high profile live tours, theatrical productions and national art installations, among many others. 

Find A Dealer   Discover RME

RME offers a comprehensive range of audio interfaces, converters, mic preamps and network audio solutions. The company's German-based engineering is globally known to produce products that have the industry's lowest latency, fastest performance and unparalleled reliability.

RME devices are used across a wide range of applications globally - recording studios, major broadcast facilities, scientific research establishments, high profile live tours, theatrical productions and national art installations, among many others.

Find A Dealer  Discover RME

STUDIO-GRADE AUDIO, STREAMLINED DESIGN



24-Channel 192 kHz bus-powered professional USB 2.0 Audio Interface

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For a complete list of products, visit the RME Products page.


Babyface 802 FS AE

The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features.

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Fireface UFX III

The RME Fireface UFX III is a 94-in/94-out USB 3.0/USB-C audio interface with upgraded AD/DA conversion, SteadyClock FS, and four premium mic preamps. It offers 128 channels of MADI I/O, DURec direct USB recording, and powerful onboard DSP with EQ, dynamics, and reverb/delay. Designed for large-scale recording and mixing, it delivers ultra-low latency, rock-solid drivers, and advanced control room features.

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Digiface Dante

The Digiface Dante is a lightweight, portable audio interface, combining Dante network connectivity and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.

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IN THE NEWS


How Etienne Tremblay Became a YouTube Pioneer in French Music Production with RME

"The main benefit is Baby Face’s sound quality and conversion – it’s a very clean sound with no obvious colour, which is what I like personally. And the software is great. I think most RME users - once they work with Total Mix, they don't want to go back.” - Etienne Tremblay, La Machine à Mix

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Sonic Forest Studio Puts RME 12Mic-D to the Test

"Everything just worked. Right down to setting up and controlling the mic pres with everything patched into the 12Mic-D through Dante.” - Todd Hodge, Owner/Operator, Sonic Forest Studios

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Toronto-based Producer, Songwriter & Recording Artist Never Leaves Home Without His RME Babyface

"The quality is second to none, there's no latency issues, and the converters are phenomenal. And it's a good investment - my first RME Babyface lasted close to a decade, which is incredible because products are made to fall apart these days, especially tech. I think the important thing about investing in any type of equipment is knowing there's longevity in the product and company behind it." - Zale Epstein, Producer/Songwriter/Recording Artist

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Canadian Road Test: RME Babyface Pro FS

"I couldn't believe what I was hearing the first time I output a mix through this interface.  The stereo field got wider, the centre image tightened significantly, and the Babyface added a level of divine sparkle that I'd more closely associate with the flavour of a proper mastering converter rather than a portable interface." - Andrew Leyenhorst, Freelance Producer, Engineer, Mixer and the Assistant Editor of Professional Sound Magazine

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